When you’re reading this, a lot of us will be heading or preparing to head to Chicago for ALA Midwinter. There are many things to be excited about during Midwinter–meetings, exhibits, seeing friends.
But not a lot actually meets the level of excitement, that the Youth Media Awards. This will be my first YMAs in person! I’m so jazzed. So I thought I’d take a moment and reflect on my favorite winners of past YMAs. Honestly, I could go on for pages and pages about this, but I’ll just do a quick overview because y’all are packing or flying. My very favorites of the Caldecott Medal, Newbery Medal, and Printz Award Winners:
I know this is everyone’s favorite, but it’s totally mine. The Snowy Day by Ezra Jack Keats. It won the 1963 Caldecott award. This book was written over 20 years before I was born, but I adored it as a child. I remember asking my mom to read it to me over and over and over again. And it holds up. I use this one in storytimes often, and I’m lucky enough to live near the de Grummond Children’s Literature Collection at the University of Southern Mississippi and have seen some of the original art. It’s as gorgeous as you think it is.
The View From Saturday by E.L. Konisburg won the Newbery Medal in 1997. This is one that I was wild about as a child. I was 9 years old when this book came out, and I was part of a program in my school that was similar to the Academic Bowl Team. Well, not entirely similar. But it felt similar. My fourth-grade self resonated with this one DEEPLY. I actually have not read this one as an adult. A part of me is terrified that it won’t hold up. But it will, right? Because Konigsburg? This is the first time in my life I remember being aware that the Newbery medal is something that was actually awarded, and that the seal didn’t just magically appear on books in my school library. I remember my school librarian telling us that this book had won and being very excited because I had read it and loved it so much. Maybe it’s time for a reread?
The Printz Award is a little different. It’s a much newer award. The first Printz was awarded in 2000. I wasn’t really aware of the existence of the Printz until college library school, but I quickly became obsessed. I actually wrote my master’s project on the Printz. In doing so, I read many Printz and Printz Honor titles. Jellicoe Road by Melina Marchetta, the 2009 winner, is my favorite, and continues to be my favorite Young Adult title of all time. I understand that my approach to this book was different. I was an adult the first time I read it, upon the recommendation of a colleague at my library, unlike the other two titles, which I came to as a child. But this book, like the other two, changed me and stayed with me. Marchetta is now one of my favorite authors. I’m fond of telling friends that if she wrote ingredients lists on the side of cereal boxes, I’d have them shipped over from Australia to read.
That’s the thing I love about award winners, and all books. Remember this when you’re putting award seals on books next week and when you’re teaching classes about the Caldecott and Newbery and when you’re excitedly handing your tweens and teens the Printz Honor book you’ll know they love: these are the books that will stay with them forever. And we get to be a tiny part of that.
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Our cross-poster from ALSC today is Ally Watkins (@aswatki1). Ally is a youth services librarian in Mississippi, and has worked with kids ages birth-18 for the last 5 years.
Over the years, I’ve served on three YALSA awards committees (Margaret A. Edwards, Odyssey, and Printz), a couple of YALSA list selection committees (former versions of these are now swept into what we call Amazing Audiobooks), and both award and selection list committees for other organizations (the Eisners, the Audies, and the California Young Reader Medal among them). For way longer, I’ve been reviewing books and media for an array of professional journals (Library Journal, School Library Journal, Booklist, VOYA, Public Libraries, Busted) and a couple of “general reader” publications; my typical annual review production numbers somewhere between 100 to 150 titles, mostly assigned to me by editors.